Changing Tides / Regal House Publishing

My mailbox has certainly delivered some joy this week! Changing Tides has published. I am grateful to Editor Jaynie Royal for including a short stack of my writings in this collection: “So This Is Starrigavin,” “Up the Coast from the Astrolabe,” and “Ache.” They are in good company and I look forward to reading this in its entirety.

From the website:

The poems, essays, and personal reflections in Changing Tides detail moving accounts of the human impact on our ocean environment and demonstrate the heightened need for individual, community, and global action in addressing what has become a collective crisis for life on this blue planet.

All net revenues from the sale of this anthology are donated to the Coral Restoration Foundation™, a 501 3 (c) non-profit organization that was founded in 2007 in response to the widespread loss of the dominant coral species on the Florida Reef Tract. Coral Restoration Foundation™ (CRF) now manages the largest coral restoration program in the world. The Coral Restoration Foundation™ works to support the reefs’ natural recovery processes through the large-scale cultivation, outplanting, and monitoring of genetically diverse, reef-building corals. Their mission is to restore coral reefs, to educate others on the importance of our oceans, and to use science to further coral research and coral reef monitoring techniques.

To learn more, and to get involved in the mission to save and restore our planet’s coral reefs, visit www.coralrestoration.org

The contributors are Susan Bruce, Christina Stefan, J.B. Stone, Kersten Christianson, Anthony Panegyres, Sheree Winslow, Gerard Sarnat, Julie Wilson, Franciszka Voeltz, d’Ores & Deja, Olivia Kingery, Tonya Wiley, Lorraine Jeffery, Liberty Lawson, Jayne Marek, Emma Bush, and Mandy-Suzanne Wong. With thanks to Alice Grainger, Communications Director at CRF, for her eloquently penned foreword.

October Hill Magazine

A sweet turn this week, much like the break in rain. Thank you to October Hill Magazine out of NYC for publishing “Love Bigger Than Loss” in its newly-released Summer 2020 issue.

It felt surreal to post writing like this at this moment. My summers are normally reserved for poetry, but now I’m finding that a lot of my July writing time is being allocated to other writing endeavors – mostly response to school opening plans and to various entities: admin, union, board. The writing of poetry is much more engaging than prose. Maybe I’ll start writing my responses to school openings in limerick form. Wouldn’t that be something? 

At any rate, it was a gentle knock on the door, a reminder to return to the kind of writing I enjoy most.

Summer 2020

Brute, Emily Skaja

This book is fierce! It’s a reading that dwells on the living through endings and upon closer examination, some beginnings, as well. Skaja’s word choice is superb, fresh, wild. From “How to Mend a Faucet Dripping Thread”

Every morning, a spider webs over my door, but I don’t do omens.

I will not hang all the maids, for example; it’s antifeminist.

But I will lie here with my face annexing the floor. Penelope, neat.

Pouring out a little whiskey for the sirens & swine.

Did I mention my love for the hat tip to older, timeless stories?

Organized into four sections: My History As, Girl Saints, Circle, and Bright Landscape, Skaja has interspersed each with two elegies with titles such as, “Elegy without a Single Tree I Can Save,” “Elegy with Feathers,” and “Elegy with Rabbits.” She explores forms such as the aubade.

Skaja’s poetry is such that it begs to be read aloud and my now-worn copy is filled with dog-eared pages for future reunions.

(Graywolf Press, 2018)